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Nano & Art

 

NanoVic Art Prizes

 

Dr Kristin Alford led the judging panel for the inaugural NanoVic Prizes for Art & Nanotechnologies.  These prizes recognise the interdependencies between art and new technology in imaging new technologies, providing scientific clarity and providing creative inspiration.

 

The aims of NanoVic in offering these prizes are to:

 t  Celebrate and promote quality nanotechnology research, development and commercialisation currently occurring in Victoria and Australia;

 t  Engage the public in debate and conversations about nanotechnologies that go beyond the scientific realm;

 t  Encourage ongoing collaboration between science and the arts in recognition of the role that creativity plays in the innovation process.

 

Nanotechnology Victoria has awarded two prizes: one for sceintists displaying real phenomena in a creative way; and one for non-scientists providing creative interpretations of the technology.  The number and quality of entries was very pleasing and the winners have provided works which will encourage discussion and interest into nanotechnologies.

 

 

 

 

The Prize for Scientists was awarded for an actual image of nanotechnology taken from research, development or commercial activities.  The winner of the $2000 Science Prize was Peter Liddicoat of the University of Sydney for his work titled 'Fluidic Evolution of Nano-Particles'.  The image was obtained through Atom Probe Tomography (APT) which enables the decomposition of a specimen atom by atom, followed by its digital recreation.  Peter's APT image is of an aerospace aluminium alloy in concentration mode.

 

 

 

 

 

 

 

 

 

The Prize for Artists was awarded to artwork building on nanotechnology themes, not necessarily generated as the result of scientific work in nanotechnologies, but drawing on a theme related to nanotechnologies as its inspiration and/or final representation.  The winner of the $2000 Artists Prize was Michelle Czech of RMIT University for 'Magnetci Field, a hand-made transfer printing on canvas depciting brightly coloured 'flowers' inpsired by magentic ferro-fluids.

 

 

 

 

In addition to the main prizes, NanoVic CEO Dr Peter Binks also elected to reward other outstanding entries.  Honourable mentions worth $500 each were awarded to Dr Paul Thomas of Curtin Univeristy for his work on Project Midas showing a finger as the instrument in an Atomic Force Microscope and to Carolina Novo and Ann Gooding of the Univeritiy of Melbourne for 'Gold', a scanning electron microscopy image of chemically synthesised gold nanoparticles of different sizes and shapes.

As part of acknowledging art and creating further public involvement with nanotechnology, NanoVic intends to display all original artworks in a virtual display or exhibition to be held during 2007.  For further enquiries contact NanoVic or Bridge 8.

 

Examples of art in nanotechnology are shown in the NanoVic virtual art gallery.

 


 


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